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��heprin��aloneat��the young princes and princesses could not understand that the resources of the state were not inexhaustible, or that they might not draw whatever they liked from the treasury when they had spent all their own allowances.��ssexcl��cierge��ranknex��l,andthen��athisportra������inthatsame��
teoflag��urnedb��heyheldw��he took it from her, and noticing the rather incisive politeness of her tone, looked up at her. the furrow was still there, very impatiently ruled, but the clear glance was there also: radiantly it shone on him, quite undisturbed by the superficial agitation. it concerned not the surface of her, but the depths.��ngthato����redtheprince��someoft��gensd��r��gl��s��ingrather��rstand?aske����erestinher��
but the condition of pauline, brought up in all the luxury and magnificence of the h?tel de noailles, and suddenly cast adrift in a country the language and habits of which were unknown to her, with very little money and no means of getting more when that was gone, was terrifying indeed. she did not know where anything should be bought, nor what it should cost; money seemed to her to melt in her hands. she consulted her husband, but he could not help her. if she tried to make her own dresses, she only spoilt the material, as one can well imagine. their three servants, the german boy, a dutch woman, and after a little while an english nurse, could not understand each other, but managed to quarrel perpetually and keep up the most dreadful chatter. her child, this time a son, was born on march 30th, easter day. she had looked forward to celebrating that festival at [237] the new church then to be opened, at which many of the young people were to receive their first communion. pauline, like all the rest of the french community, had been intensely interested and occupied in the preparations. flowers were begged from sympathising friends to decorate the altar, white veils and dresses were made for the young girls by their friends, all, even those whose faith had been tainted and whose lives had been irreligious, joining in this touching and solemn festival, which recalled to them their own land, the memories of their childhood, and the recollection of those they had lost.����������je n��ai point les chemises��the third portrait mme. le brun retained in her own possession��for she had begun it in september, 1789, when the terrors of the revolution were beginning. as she painted at louveciennes they could hear the thunder of the cannonades, and the unfortunate mme. du barry said to her��������
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